he Frost nails its uncanny, disconcerting vibe in its first few shots. Vast icy mountains, a makeshift camp of military-style tents, a group of people huddled around a fire, barking dogs. It’s familiar stuff, yet weird enough to plant a growing seed of dread. There’s something wrong here.

“Pass me the tail,” someone says. Cut to a close-up of a man by the fire gnawing on a pink piece of jerky. It’s grotesque. The way his lips are moving isn’t quite right. For a beat it looks as if he’s chewing on his own frozen tongue.

Welcome to the unsettling world of AI moviemaking. “We kind of hit a point where we just stopped fighting the desire for photographic accuracy and started leaning into the weirdness that is DALL-E,” says Stephen Parker at Waymark, the Detroit-based video creation company behind The Frost.

The Frost is a 12-minute movie in which every shot is generated by an image-making AI. It’s one of the most impressive—and bizarre—examples yet of this strange new genre. You can watch the film below in an exclusive reveal from MIT Technology Review.

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